INTERETHNIC TRADITIONAL SONGS
INTERETHNIC TRADITIONAL SONGS. Music and dance are inextricably linked in the worldview of the indigenous peoples who have inhabited our country since time immemorial. His current presence constitutes one of
Lani Zaachilla Yoo
Lani Zaachilla Yoo (Celebration in the House of Zaachila) brings together the music of Banda Baalachi, “The Joy of the Valley,” across three records. Recorded in 1990 and released in
TOTONTEPEC MIXES BAND – OAXACA
TOTONTEPEC MIXES BAND - OAXACA. The Mixe group has been described as an isolated people who vigorously maintain a traditional ancient culture. But, this description does not agree with the
PEASANT MUSIC FROM THE JALISCO HIGHLANDS
Vinyl, LP, Album MÚSICA CAMPESINA DE LOS ALTOS DE JALISCO. Este volumen nos ubica en la región de Jesús María, Jalisco; San Miguel El Alto, y Arandas, la región tequilera
SONES AND TASTES OF THE HOT LAND OF GUERRERO
SOUNDS AND TASTES OF THE HOT LAND OF GUERRERO. In the Tierra Caliente a characteristic musical tradition is practiced. It arose from the model of the sonecito de la tierra,
SONES OF VERACRUZ
SONES OF VERACRUZ. The so-called son from Veracruz or jarocho is one of the richest and most varied popular musical traditions in the country; For this reason and due to
CHUJES AND JACALTECOS MUSIC OF THE SOUTH BORDER
CHUJES AND JACALTECOS MUSIC OF THE SOUTH BORDER. All the indigenous peoples of the world express musical elements in some way within their societies, for example it may be associated
MUSICAL TRADITIONS FROM LA LAGUNA THE CARDENCHE SONG
MUSICAL TRADITIONS FROM LA LAGUNA THE CARDENCHE SONG. In the area, musical traditions can be identified or classified according to the manifestations of religious and non-religious origin. The first are
SONS OF MEXICO ANTHOLOGY
Vinyl, LP, Album SOUNDS OF MEXICO ANTHOLOGY. The son is a musical genre that serves to accompany the most energetic and brilliant dances that are part of more extensive repertoires,
TLAXCALTEC MUSICAL TRADITION
TLAXCALTEC MUSICAL TRADITION. In Tlaxcala, as in many other regions of the Republic, popular music presents two aspects: the one that responds to the needs and demands of an increasingly
50 MEETINGS OF INDIGENOUS TRADITIONAL MUSIC AND DANCE VOL. IV
50 MEETINGS OF INDIGENOUS TRADITIONAL MUSIC AND DANCE VOL. IV. The different Hispanic contributions, generated during the Colony, in the music of indigenous cultures, did not owe its variety so
50 MEETINGS OF INDIGENOUS TRADITIONAL MUSIC AND DANCE VOL. III
50 MEETINGS OF INDIGENOUS TRADITIONAL MUSIC AND DANCE VOL. III. During the Colony, the spectrum of musical manifestations would be expanded with the encounter of Mesoamerican cultures, first with the
50 MEETINGS OF INDIGENOUS TRADITIONAL MUSIC AND DANCE VOL. II
50 MEETINGS OF INDIGENOUS TRADITIONAL MUSIC AND DANCE VOL. II. This series of discs that consists of four volumes, brings together a great variety of musical manifestations of indigenous cultures
50 MEETINGS OF INDIGENOUS TRADITIONAL MUSIC AND DANCE VOL. I
50 Encounters of Traditional Indigenous Music and Dance, Vol. I brings together a selection of recordings made by the National Indigenous Institute during gatherings held in different regions of Mexico.
