{"id":8043,"date":"1960-03-21T00:00:12","date_gmt":"1960-03-21T00:00:12","guid":{"rendered":"https:\/\/mexicanrarities.com\/?p=8043"},"modified":"2025-03-05T03:03:04","modified_gmt":"2025-03-05T03:03:04","slug":"sharing-the-universe","status":"publish","type":"post","link":"https:\/\/mexicanrarities.com\/?p=8043","title":{"rendered":"SHARING THE UNIVERSE"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Sharing the Universe.<\/strong><\/p>\n

 <\/p>\n

Tribu
\n<\/strong>~ eclectic music ~<\/span><\/p>\n

 <\/p>\n

Do not grieve, musician poet, in the humble corner where you think you are poor, and in abandonment of the dark nights, since you have your love and your song.
\nShams Al-Din Muhmmad (Haf\u0131z)
\nPoet of ancient Persia <\/span><\/em><\/p>\n

 <\/p>\n

Firm is my heart: I want to sing and play. Wake up, my soul, wake up psaltery and zither. I want to wake up the dawn.<\/em>
\nBook of psalms (psalm 108).<\/em>
\nHebrew culture.<\/em><\/p>\n

 <\/p>\n

I would like to make war odes but only love resounds in my seven-stringed lyre.<\/em>
\nAnacreon.<\/em>
\nAncient Greek poet.<\/em><\/p>\n

 <\/p>\n

We lost track of time. I don’t remember how long we were dancing drenched in light. It could have been a few minutes, a few days, a few months\u2026<\/em>
\nAvame Nara, Japanese.<\/em><\/p>\n

 <\/p>\n

The music and the song come from the creator god of the universe and unify all creation.<\/em>
\nSamma Veda. Hindu holy book.<\/em><\/p>\n

 <\/p>\n

The god of the night gave the blue deer mara\u010dame cedar wood to mix with the tu’kariwiki bird and from the mix came the rawere (violin) then he mixed the cedar with the k\u00fak\u00e1mueri bird and he had the canari (guitar). And so they had what to accompany the sacred songs of tradition, when the sun finally shone.<\/em>
\nWisrrarica culture<\/em><\/p>\n

 <\/p>\n

Shall I go like the flowers that perished?<\/em>
\nWill nothing be left of my name?<\/em>
\nNothing of my fame here on earth?<\/em>
\nAt least my flowers at least my songs!<\/em>
\nTecayehuatzin (Aztec poet)<\/em><\/p>\n

 <\/p>\n

When I die<\/em>
\nbury me under the big trees<\/em>
\nshadows of the market<\/em>
\nI want to hear about my drums playing.<\/em>
\nI want to feel the feet of those who dance.<\/em>
\nGriot bakuba from central Congo.<\/em><\/p>\n

 <\/p>\n

One by one I gather your songs,<\/em>
\nwhich jades I am setting them;<\/em>
\nI make a necklace with them<\/em>
\nthe gold of their beads is resistant.<\/em>
\nAdorn yourself with them!<\/em>
\nThey are your wealth in the region of flowers\u2026<\/em>
\nThey are your wealth here on earth.<\/em>
\nMexican songs.<\/em><\/p>\n

 <\/p>\n

“SHARING THE UNIVERSE”<\/em><\/p>\n

This work carried out on the occasion of the proximity of the anniversary and not necessarily the celebration of the 500 years of the Europe-America meeting, serves TRIBU to demonstrate against the destruction and imposition of power of one human group over another, or of a culture over another, struggling for man to stop being “man’s wolf”, to make way for the utopia of the master Vasconcelos, the advent of “La Raza C\u00f3smica”. Well, it was not Columbus who discovered America, nor Am\u00e9rico Vespucci, nor the Vikings. America was discovered by humanity some 30,000 years ago (according to scientists), when due to the need for survival and by order of their genetic messages the first men in constant migrations populated this continent. That is why the oldest cultures to settle on it earned the right to consider it their soil.<\/em><\/p>\n

Realization.- This highly eclectic album materialized by interpreting an image of an ancient Mexican codex, the Fej\u00e9rv\u00e1ry Mayer, which appears in the center of the cover. The four directions of the universe and their symbols manifested there were gaining sound form with musical elements from all over the world and from any era, to show that the human race is one and that the future belongs to it.<\/em><\/p>\n

 <\/p>\n

TRIBU\u00a0<\/span><\/em><\/p>\n

Originally from the Federal District, the group currently lives in the community of Pozos, Gto., where the population has been actively integrated in its struggle for self-improvement and human promotion. Members of CADEMAC, founded and built “La Casa de la Toltequidad” in Pozos itself, where the “Fiesta de la Toltequidad” is held annually, a cultural event of great importance in the region. Their work as transhumant musicians has taken them practically throughout the country, as well as Europe and several states of the American Union; and their curiosity and interest in the national culture, to delve into the differences in the different cultural areas of Mexico, mainly among the indigenous communities, from where they learned what they consider most important in their training as musicians; they also studied ethnomusicology at the National School of Music of the UNAM, Universidad Veracruzana.<\/em><\/p>\n

Indiana University and others. Some of its members were responsible for developing the Department of Ethnomusicology in the INI Audiovisual Ethnographic Archive. Likewise, the study of archaeological sources and the construction of musical instruments has been of interest to him. Eventually they share these tasks with teaching through courses and seminars by institutions such as SEP, UNAM, CADEMAC and others.<\/em><\/p>\n

 <\/p>\n

As far as radio, cinema and television are concerned, their regular participation in programs is mentioned, as well as the musicalization of several works, and as actors in the Rafael Montero film “viajeros” produced by the UNAM This is the sixth full-length album duration.<\/em><\/p>\n

 <\/p>\n

TRIBU members and instruments that play on this album:<\/em><\/p>\n

David Mendez Rojas; Marimba, tenor saxophone, big drum, clay drums, ch\u00e9kere, transverse flute, angklung, percussion pipes, chachayotes, Aztec ceremonial flutes, wind whistle, electric guitar, bagpipes, polyphonic synthesizer, voice.<\/em>
\nAlejandro N. Mendez Rojas; Monophonic synth, polyphonic synth, big drum, cowbell, transverse flute, Tepehuan bow, banjo, sopranino flute, drum machine, angklung, tenabaris, electric guitar, tortoiseshell, flato forte, gorchan, voice.<\/em>
\nPablo Mendez Rojas; Eclectic drums (with drums from different sources), great drum, huehuetl, waterspout, metallophone, tenor flute, percussion tubes, chachayotes, wind whistle, various whistles, Japanese drums, Irish drum, voice.<\/em>
\nGilberto Chavez Espinoza; Marimba, alto saxophone, great drum, huehuetl, zither, castanets, bandol\u00f3n 6\u00b0, angklung, percussion tubes, chachayotes, African drums, wind whistles, voice.<\/em>
\nA. Agustin Pimentel Diaz; Clarinet, big drum, birimbao, electric bass, rattles, tambourine, shawm, angklung, tenabaris, wind whistle, recorder, mose\u00f1o, voice.<\/em><\/p>\n

 <\/p>\n

A SIDE\u00a0<\/em><\/p>\n

\u2013Sharing the universe<\/em>
\n\u2013Grandpa Jerome<\/em>
\n\u2013Parsimony blue<\/em>
\n\u2013pudical catharsis<\/em>
\n\u2013Batracic<\/em><\/p>\n

 <\/p>\n

B SIDE<\/em><\/p>\n

\u2013Transparent sands<\/em>
\n\u2013Guinea Papua<\/em>
\n\u2013Ahuianime (happy)<\/em>
\n\u2013Tlalocan (paradise)<\/em>
\n\u2013Emerald green<\/em><\/p>\n

 <\/p>\n

Composition: Collective creation TRIBU (D.R.) 1989.<\/em>
\nRecorded in Publiservicios<\/em>
\nRecording engineers: H\u00e9ctor Ramirez (Tato) and Jaime Baksht<\/em>
\nCover: Agustin Pimentel<\/em>
\nCover assembly; David Mendez.<\/em>
\nPhotography: Mayra Carmona.<\/em>
\nProduction: Modesto Lopez<\/em>
\nTRIBE courtesy of CADEMAC<\/em><\/p>\n

 <\/p>\n

DISCOS PENTAGRAMA S.A. DE C.V.<\/em>
\nSALTILLO 90 COL. COUNTESS<\/em>
\n(06140) MEXICO D.F. TEL. 515-31-37 and 515-96-93<\/em><\/p>\n

 <\/p>\n

PENTAGRAMA<\/span><\/p>\n

LPP. 122<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Gallery:<\/strong><\/h5>\n

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Vinyl, LP, Album. SHARING THE UNIVERSE – TRIBU. This work carried out on the occasion of the proximity of the anniversary and not necessarily the celebration of the 500 years of the Europe-America meeting, serves TRIBU to demonstrate against the destruction and imposition of power of one human group over another, or of a culture over another, struggling for man to stop being “man’s wolf”, to make way for the utopia of the master Vasconcelos, the advent of “La Raza C\u00f3smica”. This highly eclectic album materialized by interpreting an image of an ancient Mexican codex, the Fej\u00e9rv\u00e1ry Mayer, which appears in the center of the cover. The four directions of the universe and their symbols manifested there were gaining sound form with musical elements from all over the world and from any era, to show that the human race is one and that the future belongs to it.<\/p>\n","protected":false},"author":36,"featured_media":11023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[174,1641,1621],"tags":[439,1033,306,435,782,774,433,427,1035,999],"class_list":["post-8043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-guanajuato","category-mexico-city","tag-439","tag-1033","tag-33-1-3-rpm","tag-album","tag-folk-world-country","tag-latin","tag-lp","tag-mexico","tag-pentagrama-2","tag-rock"],"yoast_head":"\nSHARING THE UNIVERSE | Mexican Rarities<\/title>\n<meta name=\"description\" content=\"Vinyl, LP, Album. SHARING THE UNIVERSE - TRIBU. 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The four directions of the universe and their symbols manifested there were gaining sound form with musical elements from all over the world and from any era, to show that the human race is one and that the future belongs to it.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mexicanrarities.com\/?p=8043\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SHARING THE UNIVERSE | Mexican Rarities\" \/>\n<meta property=\"og:description\" content=\"Vinyl, LP, Album. SHARING THE UNIVERSE - TRIBU. 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This work carried out on the occasion of the proximity of the anniversary and not necessarily the celebration of the 500 years of the Europe-America meeting, serves TRIBU to demonstrate against the destruction and imposition of power of one human group over another, or of a culture over another, struggling for man to stop being \"man's wolf\", to make way for the utopia of the master Vasconcelos, the advent of \"La Raza C\u00f3smica\". This highly eclectic album materialized by interpreting an image of an ancient Mexican codex, the Fej\u00e9rv\u00e1ry Mayer, which appears in the center of the cover. 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