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Label: Sonido 13  

Released: 1979

Country: Mexico

Genre: Microtonal

Info:

SEXTET FOR BOWED INSTRUMENTS IN G MAJOR

To my unforgettable teacher Salomo Jadassohn of the Leipzig Conservatory. Julian Carrillo, winter 1902.

I. Allegro con Brio 9′ 45″
II. Length non Troppo 8′ 42″
III. Scherzo 5′ 15″
IV. Allegro Brilliant 9′ 20″

“This is the oldest of Julián Carrillo’s works that has been recorded on disc. It was premiered in Leipzig in 1901.

As in the First Symphony, one finds in it an amalgamation of Latin sensibility with a technique that Brahms could have signed. The work is classical. The thematic unit is treated in it with great delicacy.” Jean Etienne Marie. Director of the Institute of Musical Research in Nice, France.

1st. Violin Robert Gendre
1st. Viola Serge Collot
1st. Cello Robert Bex
2nd. Gabrielle Devries Violin
2a. Viola Le Pauve
2nd. Cello Reine Flachot

SOUND 13

Gallery:


Tracklist:

CHAMBER MUSIC / Sextet for bowed instruments
SIDE 1
  • A1 HAPPY WITH BRIO 9′ 45″
    REINE FLACHOT, GABRIELLE DEVRIES, ROBERT GENDRE, J. GESHTEM, SERGE COLLOT Y ROBERT BEX
  • A2 LONG NON TROPPO 8′ 42″
    REINE FLACHOT, GABRIELLE DEVRIES, ROBERT GENDRE, J. GESHTEM, SERGE COLLOT Y ROBERT BEX
SIDE 2
  • B1 SCHERZO 5′ 15″
    REINE FLACHOT, GABRIELLE DEVRIES, ROBERT GENDRE, J. GESHTEM, SERGE COLLOT Y ROBERT BEX
  • B2 HAPPY MAESTOSO 9′ 20″
    REINE FLACHOT, GABRIELLE DEVRIES, ROBERT GENDRE, J. GESHTEM, SERGE COLLOT Y ROBERT BEX

Credits:

Reine FLACHOT

  • She was born in the Argentine Republic of French parents. He began his musical studies in Paris at the age of eleven; and three later, he won the First Prize of the Conservatory, taking first place among twenty-seven competitors. In the year l954, he won the Piatigorsky Prize by unanimous vote of the jury.
    Since then he has played in numerous concerts. In France with the “Concerts Colonne” under the direction of Kachaturian; with the “Orchestre National”, under Darius Milhaud; with the “Orchester Philarmonique de la R. T. F”, under the batons of Eugene Bigot, Manuel Rosenthal, Jean Martinon, Pierre Dervaux. Abroad she has been heard in recitals and as a soloist with the orchestras of Berlin, Vienna, London, Amsterdam, Geneva, Brussels, Lisbon, etc. where she has always obtained the highest praise from the press and that can be summed up in the trial. of the Austrian critic who perfectly defines her musical personality: “Reine Flachot, is the personification of the modern virtuoso, dazzling with objectivity and decision; in her burns the inner flame of the musical joy of authentic inspiration”.

 

Gabrielle DEVRIES
violinist

  • He received the Grand Prix of the Accademia Charles Cros Record, Paris, for his recording of the second sonata by Albert Roussel and the Duet Concertante by Igor Strawinsky.
    This artist devotes all her talent to contemporary music and it was she who recorded Bela Bartok’s Sonata for the first time in France, which caused a sensation.
    In Bern, Switzerland, she played the Paul Hindemith Concerto, under the direction of the great German master himself, obtaining a resounding triumph.
    Whether he plays works of great virtuosity, such as Serge Prokofief’s brilliant concerto, or the beauty of his sound, he vibrates and sings intensely as in Alban Bery’s “Concert to the Memory of an Angel”, which is always admirable in her it is the perfection of her style, the beauty of her bow stroke and her impeccable musicality, all of them very rare qualities that make Gabrielle DeVries one of the most outstanding violinists of the contemporary French School.

 

Robert GENDRE

  • He was a disciple of the Spanish violinist Luis Pichot.
    In 1944, after a brilliant competition, he was named soloist of the Lamoureux Concertos and of the Orchestra of the Casino de Vichy. He was also a laureate at the International Long-Thibaud Competition in 1951.
    Since then he has toured extensively in France, Germany, Italy, England, Spain, Portugal, South Africa and has also played for the “Juventudes Musicales”.
    He is a soloist for French Radio-Television. He has made numerous recordings with the “T’Emsemble Baroque de Paris”, the Chamber Orchestras of Oubradous and Louis de Froment. Many times he has participated in the Festivals of Aix-en-Provence, Strasbourg, Menton, Divonne, Besanzon, etc. .

 

J. GESHTEM

 

Serge COLLOT

 

Robert BEX

  • He did his studies in France, mainly with Pierre Fournier. At the age of seventeen he graduated from the National Conservatory of Music in Paris with a First Prize, obtaining at the same time a First Medal for Chamber Music.
    In 1951, he appeared at the Geneva International Competitions, where he was awarded the First Medal for Sonatas.
    He has been a soloist with the “Concerts Obradous”, at the Aix-en-Provence Festivals, in Bordeaux, Strasbourg, etc. He has played numerous concerts both in France and abroad and his recitals have been highly praised by critics. In France he has been a soloist under the direction of Pierre Dervaux, Louis Martin, Herman Scherchen, Pierre Boulez, Richard Blareau, Fernand Oubradous and has made numerous recordings as a soloist and in chamber music ensembles.

Notes:

Disc #9 of MUSICAL WORKS BY JULIAN CARRILLO

JUDGMENTS ON WORKS IS NOT IN BOX.

Description on the COOKIE:

MADE IN MEXICO BY PREN, S. A. de C. V.

DISTRIBUTED BY “SONIDO 13”

Information in DEAD ZONE:

SIDE A:

15 NOV 79 TO 2

LP S – II A

SIDE B:

15 NOV 79 AL

LP S-II B


Links:

Julian Carrillo – Sexteto Para Instrumentos De Arco: Leipzig 1900
JULIAN CARRILLO -SEXTETO PARA INSTRUMENTOS DE ARCO- LEIPZIG 1900 RARE MEXICAN LP
JULIAN CARRILLO SONIDO 13 SEXTETO PARA INSTRUMENTOS DE ARCO MEXICAN LP SEALED
SEALED Julian Carrillo ‎Sexteto Para Instrumentos De Arco Leipzig 1900 Vinyl LP

Sold For:

Highest Price:
$1840 MX
Medium Price:
$1350 MX

Condition:

Media Condition:
Mint (M)
Sleeve Condition:
Near Mint (NM or M-)

Other Versions:

JC-010 / First Edition
LP S-II / Second Edition

Mexican composer, conductor, violinist and music theorist (Ahualulco, San Luis Potosí, January 28, 1875 – Mexico City, September 9, 1965). He is known for his theory on microtonal music which he dubbed 'The Thirteenth Sound' (Sonido 13).

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